journaling | Crickyn

Posts Tagged ‘journaling’

Her Constellation Crown

Posted: February 4, 2016 in abstract illustration, art journal, Daily Art Initiative, drawing into ink blots, expressive drawing, expressive painting, illustration, journaling, narrative illustration, New Mixed Media art, papercraft, Rives BFK Arches Printmaking paper
Tags: art journaling, found, found images, journaling, mixed media, new art work, painting, stamp, terry lee getz

constellation crown

Hello there. My Daily Art project almost did not get done. I deep cleaned several rooms of my house due to absolute necessity, which is the only thing that will get me to do it these days. Plainly put, I was plum tuckered. It was 3 pm and I so much did not want to do anything but shower and sit down. But I’m a trooper, you might say a pooped trooper, but a trooper nonetheless.

I cut our Crown Wearer out of another gift card bag (the skinny kind). The paper cutting where you fold in the middle and then freehand cut out a shape. In my mind was a verse such as “her tangled hair formed a constellation” which is good but her hair wasn’t very tangled. So I improvised. A lot of that happens in the studio because nearly nothing turns out the way I thought it would and that hour goes by fast, people.

But I liked our Cosmic Crown girl, so I riffed off a few constellation crown verses and came up with this one. Lots more words than I planned to use before, so I had to go into the bowels of the hoard to find a rubber stamp set that was small and legible enough to do this verse. Don’t you know I had one?

“Constellation” is a long word and I didn’t want to hyphenate it because I despise hyphens and will move heaven and earth not to use them. You think I am kidding but I am not. I don’t kid about hyphens. They are not funny, they are supremely annoying. Anyway, Hyphen Avoidance brought about the idea of making some of the words vertical, hugging the figure. That way I could start the first part of the verse higher in the image and bring the eye down the left side, eliminating the confusion readers have wanting to go left to right as the default habit. Killed two birds with one stone by refusing the hyphen. Of course, the word “falling” is perfect to make gestural so I did.

The heart is a piece of deli sheet that had black ink splotches on it. I watered down some orange/red paint (the same color I used on Starman yesterday because it was still on the desktop.) I free-cut the heart just like a valentine.

I put iridescent acrylic paint over the top of the Rives BFK printmaking paper as my first step. Scanners and monitors do not pick up iridescence but it is there. Then I took clear gesso and went over the stars and the words to try to put at least a small barrier over what I needed to keep iridescent. I decided I didn’t want to run the navy over the text, so I can’t say if it would have been a decent barrier, but you can make an experiment if you need to, keep it in mind. “They” say gesso can be used as a resist but I can’t say I have tried it much. It seems counter-intuitive to me, considering that gesso’s job is to prepare surfaces to TAKE paint well. But “they” likely know more than “me” so take what I say with a grain of salt and find out for yourself.

I needed another couple of pops with the orange. I never intended to do the stars with orange, nor all the stars, but I did the small one at the bottom and then the top ones needed it too. Then the word “burns” needed it and then the edge of the constellation block said “me, too”. Then the damn thing was done.

I like her very much and am glad I went in there. Now I am more pooped and I will talk with you tomorrow, likely.

Bound by Stars

Posted: February 3, 2016 in abstract illustration, art journal, Daily Art Initiative, DIY, drawing into ink blots, expressive drawing, expressive painting, illustration, journaling, Mod Podge, narrative illustration, New Mixed Media art, paper weaving, papercraft, photo editing and altering, Stencil
Tags: art journaling, found, found images, journaling, mixed media, new art work, painting, stencils, terry lee getz

bound by stars

This Daily Art practice took the full hour to make. I barely had time to frame it out and add the acrylic dots and stamp the text.

Most of the time was spent weaving the paper strips. It takes awhile to get them situated and then affixed with matte medium, then dried enough to continue. I bought matte medium today because I ran out of it…I tried to get along with just Mod Podge but some applications don’t work with it. If I don’t want the hard resistant coating on the surface (like here to glaze it with acrylic) I prefer matte medium. If you aren’t aware, matte medium is a glazing medium, sealer and adhesive (lightweight). Mod Podge is a sealer and adhesive (heavyweight). If you want stuff impenetrable and permanent and affixed until the Four Horsemen ride through, Mod Podge is your huckleberry. Anything else use matte medium.

My plan with the piece was to mask the weaving in a shape of some sort. A mask is a reverse of a stencil; in fact, a mask is the piece you get when you cut a stencil. Not all stencils create great masks, because if the stencil is very detailed you can’t keep all the bitty pieces to use as a mask. A stencil prints over where it is put and a mask prints around the space it is put. Obviously you don’t have to create a mask to do a mask technique…you can freehand letter or draw, around what you want to keep and cover what you don’t want with color. In this way you can make an expressive drawing with shapes, letters and focal images in a composition. It is a fun way to do stuff, sort of in reverse.

I’ve seen artists put layers of material on a substrate only to cover up most of it with black paint. Seems like a bunch of work gone to waste to me, but the results are spectacular. Also, if you scan the piece before covering it, you can use the work over and over by printing it, thereby making use of the time it took to make it.

Keep in mind that you can use any color as your outline/fill, not just black. Also, depending on what you are outlining, you could use white or a pale color. That could be cool. I haven’t done that yet.

I was going to cut a stencil for this basic figure with the antlers. I would use it and it seemed worth the time to do it; I’d have both a mask and a stencil to use. However, the stencil board I have was under a bunch of heavy paper and I couldn’t get a sheet out. I looked around and saw a greeting card kraft bag (you know, the slender kind) so I cut the figure out with scissors. This was the easiest, fastest way to get the job done. Then, I laid the mask over the weaving and outlined with my favorite Wolff’s Carbon drawing pencil. I selected grey as a background cover because I like grey, but had I not been so hasty, I might have selected navy. It would have been richer with the orange and since I texted “bound by stars” navy would have made sense. Ahhh, another day.

If you are in a hurry or have hand problems or patience problems or are afraid/unable to use an exacto knife, a pre-cut stencil is an inexpensive long-lasting tool (although they are quite pricey for what they are, I mean cheap plastic). Since stencils have become so popular, they are now very detailed laser cut available in diverse design styles. I have stencils that I would not in a million years consider cutting out myself. But, you can make a perfectly wonderful unique stencil yourself in less than an hour. You can use your own drawings, clip art, images from photos, etc. You can scan a photo into a basic photo altering program, many of which feature a “stencil” filter. Print the altered photo and create a stencil. If your program doesn’t have a “stencil” feature, up the contrast and voila, a usable image. Build a library of favorite symbols, animals, etc. You get the point. Anything that gets more of your own hand into a piece makes it more satisfactory and interesting, IMHO.

Don’t forget to keep the cut out parts of your stencils and put them in a separate envy called “masks”, or file them with the stencil. Once you start to mask, you will be glad to have them.

The Moon is our Mother

Posted: February 2, 2016 in abstract illustration, art journal, Daily Art Initiative, Dollar Tree, drawing into ink blots, expressive drawing, illustration, journaling, narrative illustration, New Mixed Media art, papercraft, Rives BFK Arches Printmaking paper
Tags: art journaling, found, found images, journaling, mixed media, new art work, terry lee getz

moon is our mother

This image is a collage with expressive drawing, my Daily Art practice. I pulled out a handful of the paper strips I talked about yesterday, and this one piece of old street map presented itself. It hadn’t been cut, most likely because it was already small and fragile. I laid the piece around the paper with different orientations and I thought this outline looked bear-ish. Like a bear climbing a tree. So I tried to draw it to look more like a bear than it did, resulting in it looking even less like a bear than it did. I decided instead that it needed to be an unspecified marsupial climbing a tree. That’s what I meant to do all along! That’s the ticket.

Earlier today I was reading a book on the alchemical Emerald Tablet which states that the Moon is our Mother. I stopped reading at that point because I wanted to think on that for awhile. It struck my fancy. Bears are associated with the feminine/moon energy. I decided (pretty much unilaterally, since it is just me, the cats and a dog here right now) that marsupials are feminine/moon energy too. It is out climbing at night, after all. Even if it is on it’s way to bed, that counts.

Considering how it all ended up not being what I thought it would be, I’m very happy with it. It’s a friendly creature (no Stink Eye here), the moon is full, the tree is strong and I particularly like this map paper. There is a heaviness and fullness to the piece, I feel gravity and that is not an easy feeling to capture 2-D. At least for me, it isn’t.

I am all about doing these creatures these days. It started with those Dollar Tree “monster” stencils (I call them creatures, they are too cute to be scary). I love expressive drawing and I find more and more to be drawing quasi-realistic animals in blots and on collage compositions. This piece came together quickly which is usually true for me when I do expressive art. I had already made a small square canvas piece earlier in the day. This piece followed later in the day and I didn’t want to work very long. The first piece could be a breakthrough idea if I continue it to a series. I love the idea of making “themed” series(es?) and constantly dream up great ideas for them but I almost never follow up. I get bored or forget about them. A year later I clean the studio and run across the first piece of a proposed series and go, oh yeah, I was going to make that a series. Whoops.

Not much more to say about this and I want to get back to reading about the Emerald Tablet. ta ta.

Life is a Tapestry (weave it)

Posted: February 1, 2016 in abstract illustration, art journal, Daily Art Initiative, DIY, Dollar Tree, found photo, illustration, journaling, magazine clipping, New Mixed Media art, paper weaving, papercraft, photo editing and altering, photography, Rubber stamping, Stencil
Tags: art journaling, found, found images, journaling, mannaquins, mixed media, new art work, photography, terry lee getz

lifeisatapestry

Well, guess what? The studio is tossed again.

Last week I put my big folding table into the middle of the living room and brought out the various and sundry boxes and bins of paper and images and sorted it into cool boxes I got at the Dollar Tree. The boxes are letter-sized and have a self-lid and hold a goodly amount of of paper. I was soon overwhelmed with the sorting but I did get through the bins It is so much easier now to keep it neat and find images by subject matter which is important to me. I wanted to do a page with an owl last week. I have 284 pictures of owls around here and couldn’t fine one. One. That’s what started this ball rolling.

I got overwhelmed, particularly with laser copies (lots of black and white) of my own photographs. In the good old days I had a color laser printer and I routinely printed contact sheets and reproduced my photos. Lots and lots of mannequin photos because I used them frequently in my work. I knew there were too many to go into the nifty boxes without there being 30 boxes of mannequin photos. So I started shoveling them into a separate pile. Before I knew it, that pile was teetering on the edge of calamity just like my sanity.

I had to put the big table away, and the stack took up home on the dining table. I filed the neat boxes away in the studio and that was a wonderful feeling. But then I’d walk through the center of the house and the stack that didn’t get filed away, mostly my OWN art, was taunting me. Plus, the dining room is smack in the middle of my feng shui Wealth area and that is not good. How many mannequin photos can your Wealth area overlook? If I know my Wealth area, and I do after many hours of studying it and moaning over it, there were about 6000 more mannequin faces than it could manage. My Wealth area couldn’t even with it and neither could I.

There were stacks of paper. Strangely, I’ve been obsessed with stacks for awhile. It started with caryatids about 18 months ago. They were fascinating to me. Then I saw pictures of cairns that my husband took in the Smokey Mountains last spring. There is an artist that works in several rivers up there making cairns (he’s around on the internet, Google him if you want to see his work. He is really good, a true Rock Whisperer). Then I ran into this cool Edward Gorey’ish fabric during Halloween that was so exciting to me. About that time the Alice in Wonderland stencils showed up at Dollar Tree. One day I couldn’t take it anymore and cut out a caryatid, the gothic fabric and created an Alice stack using illustrations and stencils. A reprieve but I returned to stacks again.

Stacks of paper. Obsession with stacks. What are stacks? They are layers on top of layers. Image on top of image. Strips on strips.

I couldn’t use all those faces, but I could use strips of paper. I could weave them, layer them, draw on them, use them as backgrounds, etc. I could make strips out of all that stuff, throw them into a box and haul a handful out and use them however I want to in the moment. If I found I didn’t like the process, or wasn’t using the strips, I could toss it all into the recycle bin with no guilt.

So yesterday I spent a few happy hours layering paper and cutting it with my paper cutter. All different widths. I find cutting or tearing paper stress relieving. I can honestly say I enjoyed it, and I thought about the strips most of last evening. I had the urge to get up and bring some in to draw on but I didn’t because we were relaxing watching Dexter. It’s one of the few programs I enjoy watching, but I was tempted and that is a good sign. I’m onto something.

So, my Daily Art practice rolled around and the first thing I did was grab a bunch of strips. I wanted to start by paper weaving. I took two wide strips, cut them into random pieces. One was a black and white photo of mine, the other text from a book. I glued those pieces randomly to a paper foundation. Then I selected several strips and cut them down to smaller widths. Surprisingly, all the strips I used are my own work. I did simple over/under weaving over top of the other images, shifting the colored strips to where I wanted them. I glued the ends down to make it permanent.

The process created leftovers and I tossed those strips back in the box to be used for another project. I decided to journal, and stamped out “life is a tapestry.” Then I wrote “weave it” in black pen randomly, and did some circles on the strip with the wording, to make it stand out more. This project was finished in an hour and I very much enjoyed it. I plan to do many of my Daily Practice pieces with these strips this month. Perhaps it will inspire you to try it.

I will soon post an update on my Mythos blog about how my 2016 Initiatives are going so far. If you have an interest check it out over the next few days. I will say here that I missed only 1 day in January. The day I missed I simply did not want to be in the studio. I was tired and not feeling particularly well. To go in would have defeated the purpose of the Initiative, which is to give myself time to do what I love. It’s not an obligation, it is a privilege.

I would urge you to get into your studio every day, even if just to paint a background or stamp a word on paper, or whatever you enjoy doing. Just for the fun of it.

Who’s the Wolf?

Posted: January 28, 2016 in abstract illustration, art journal, color study, Daily Art Initiative, drawing into ink blots, expressive drawing, expressive painting, Fairy tale, hand letter, illustration, ink blots, journaling, Little Red Riding Hood, myth, mythic quest, narrative illustration, New Mixed Media art, Rives BFK Arches Printmaking paper
Tags: art journaling, found images, journaling, new art work, painting, terry lee getz

who's the wolf

Another Daily Art challenge make. I am revisiting Red; I’m not alone, lots of people are seeing Red these days. There has to be a reason she is surfacing to consciousness right now. I’m not speaking for anybody else, but I feel two contrasting and contradictory energies at work currently. The illusion of black/white vs. ambiguity. The middle road seems very narrow these days. Mulder is back with his “question everything” philosophy. I like that; my feeling these days is that the questions are more worthwhile than the answers.

I started with the Rives BFK® printmaking paper and dropped some water randomly onto the surface. I put some black Dr. Martin’s® Bombay ink into the plain water drops and let it spread. I blew it around with just my breath and let it wander, then set it aside to dry.

I wanted to use tube watercolors today, so I picked up an ultramarine tube and kneaded it gently to mix the pigment up. These tubes are old so I go easy, but today not easy enough. I was daydreaming and looked down to find ultramarine watercolor all over my fingers. Luckily I had torn up a bunch of lunch sacks yesterday so I wiped my hands all over those pages, and everything else that wasn’t nailed down. Then I took a big brush and swiped water all over the paper to move the paint. I don’t want to think about how that will turn out when it dries, but can you say “CRINKLE?”

Well, watercolors dropped way down the list. That’s how easily I am deterred from stuff. I thought I might try ink. I have a mess of Higgins inks and I like them very much but I never have drawn with ink. I bought them for the purpose of making blot papers for my Interactive Intuitive Readings™ but they didn’t end up working as well as the Bombay ink. Higgins® Dye-based Drawing Inks are much less expensive and highly pigmented. The back of the package says they can be used like liquid watercolors.

I really like the way these inks move, and I would definitely equate them to watercolor nature. **Be advised, I have no watercolor or inking skills. I am purely at a “coloring book” level. If you want to investigate the qualities of either medium, consult someone else with a far greater proficiency.**

The black ink blot was dry so I started looking at it, spinning it around to see if anything presented itself. Here’s how I work with blots and expressive art. Take a couple of breaths, close eyes, open eyes, soften eyes, turn the paper. Pause. Turn paper, pause. Do this all the way around. Subconsciously you likely already ruled one orientation out. Keep going. Don’t get scared. There will be a point when you feel panic and think, “I don’t see anything!” That’s good and natural because this is a trust issue. Expressive art is about developing trust in your creativity and your instincts. Just breath again and keep going.

I went around several times. There was one other orientation that was intriguing and likely would have been deeper expression for me, but I do keep in mind my time limitation. I am sticking to my one hour religiously and sometimes that means sacrificing an idea or technique. That’s ok, there are always other opportunities. Two of the other images were already no go’s. Like it or not, this was the one remaining. Suddenly (and I mean that, like a bolt of lightning) the wolf appeared, really well defined. The major work back into the wolf shape was adding teeth and ears (he had a nub of ear originally). At this point, all I had was white paper, black blot and the red teeth and eye. As I was thinking and feeling what was left, I saw a curvy line that suggested Red’s Hood and Cape. You’ve got to be kidding me! So I colored that white space in with red. The image needed unity so I brushed on the dark blue for sky and green for ground. The other black blot is the silhouette of tree branch(es). I did see a snake head hanging down in mid-image so I outlined it lightly. It’s just a side note, but now we have three characters in our story.

So the image was nearly finished. There were the two white spots inside the wolf’s body, that is where the text could be. Text had to be short and handwritten. I got a toothpick and dipped it into the ink and scrawled it out.

I considered captioning it “Red’s Shadow.” That’s a black and white energy. I’m telling you the story. “Who’s the Wolf” is the ambiguous energy. Who is the wolf? Who is the innocent? Who is the onlooker? Who’s zoomin’ Who?

There was also the option to leave the space empty. The highest expression is to let you ask your own questions or the freedom to not ask any and move along. As the maker I am forcing you to do it my way.

Ask for help

Posted: January 27, 2016 in abstract illustration, art journal, Black Walnut Ink, Daily Art Initiative, expressive drawing, found photo, hand letter, illustration, journaling, narrative illustration, New Mixed Media art, photo editing and altering, photography, Rives BFK Arches Printmaking paper, Rubber stamping, Stencil
Tags: art journaling, found, found images, journaling, mixed media, new art work, photography, stamp, stencils, stitching, terry lee getz

ask for help

Another Daily Art practice piece with a vintage photo as a focal point. The reason I went to a photo again is because I am (again) rearranging and sorting materials and tools in my studio. In my Daily practice I’ve gotten to the point where I simply reach in and pull out something to use.

When I was sorting through shelves of old journals and books I could alter, I ran across some Canson Manga kits. I don’t know if they are still available. They are a beginner set for artists trying the comic book style. There are paper stencils to prepare layouts and one stencil is a “thought bubble” or narrative block. I liked them back in the day to create easy quick grids. They were buried in the journal shelves and I was glad to run across them. This week’s art seems to be a “Hey friend, so glad to see you!” week.

The photo is an odd size and in the portrait orientation. I put it up in the left hand corner and liked the way it went 3/4’s onto the page. But the bottom right was just filler and there wasn’t a lot of room to do any text, which isn’t necessary but the picture warranted something. So I cut the bottom right off and decided to grid it out. Gridding it seemed to help the story. Frame 1, guy on ledge watching Frame 2, guy trying to climb to ledge. Frame 3, rest the eye, Frame 4, narration. I had a piece of brittle aged brown drawing paper laying on top of the work island so I used the Canson stencil to cut out the window frame. The frame breaks up a bunch of non-narrative space and helps the viewer grasp the story. At least I hope so.

In recovery we learn to ask for help, and also learn to be willing to receive it, the way it comes. The guy that’s climbing isn’t asking for help and the guy on the ledge isn’t offering any. Maybe in the next second something happened, but right now I’m looking at what IS preserved and it seemed a good time to remind myself to Ask for Help. I don’t need help right now, but one day when I’m looking back on my Daily practice papers I might and this will remind me.

The wash is walnut ink, the rubber stamp text is StazOn Saddle Brown. The handwriting is Sepia Pitt Pen. As I did yesterday, I doodled a bit outside the photo to extend lines. I added some flowers because they got cut off by the frame.

In the second frame running down the center you might be able to see a stitch line. A few years ago I got froggy and took a bunch of old photos out and stitched them together on the sewing machine. I used them to make fabric/paper hanging collages and some were left over when I got bored doing that. Old photos can be very fragile. They were often glued to scrapbooks and then get taken out and the force of removing them weakens the paper. As I was gelling this photo to the foundation paper, the bottom tore off. No big deal, just wanted to mention that they can get very delicate.

Talk to you tomorrow, I reckon.

“I am periwinkle” Poem Page

Posted: May 16, 2012 in art journal
Tags: art journaling, journaling, new art work, poem

A new page in my watercolor journal. I’m calling them Poem Pages. The journaling derives from a writing assignment having to do with a favorite color and “I am” statements. The poem is written on watercolor paper and then washed in a light to medium tone. The statements are cut out and perhaps rearranged into a poetic collection. From there is is a matter of rewriting the poem in pen and doing some outlining of the handwriting to make it pop. I think it looks cooler in person than in the pix, plus it’s very overcast here today so not a lot of light in the photography station (ha! my dining chair in the kitchen!). Pick your favorite anything, write out what it’s like to be it, and make a poem today in your journal. This exercise will appear as Class Three in Art Journaling at Whim So Doodle in St. Pete, FL sometime in July.

Calendar pages art journal

Posted: May 8, 2012 in art journal
Tags: art journaling, calendar pages, journaling, mixed media, new art work, spray ink, stencils

A simple grid over a two page spread became the foundation for these calendar journal pages. The upper left box contains a Crafter’s Workshop stencil image sprayed with Dylusions spray ink. I love dandelions and couldn’t wait to use this stencil. I hope you can at least see some of the watercolor effect the Dylusions spray ink had, and I love the intermixability of these inks. As you can see not each square of the grid has journaling. I used scrapbook paper scraps and turned the dandelion stencil wet side down after spraying the main image to get color on the right bottom center and right near bottom square. I do not like wasting ink!! Because the stencils are plastic the overspray stays wet a long time and it can be monoprinted onto any other page or project you have going. I put an opened up cardboard slide holder on the bottom right square and stamped “April” on the bottom right with what I believe is a 7 Gypsies journal rubber stamp set. I liked prepping and using this spread so much that it is now the second class in my Art Journal series beginning in a couple of weeks at Whim So Doodle in St. Pete. Prepping is easy. Draw the grid, watercolor into each square by mixing your colors and making each square a different color, spray some with ink, use a stencil that you like that goes along with the month you are working on. Or draw or doodle into squares to make it even more personal. Pick a square to stamp your month into, use a box style to write the date in each square that will be for journal writing. Put something cool in the remaining squares for visual interest. Then every day all you have to do is show up with a pen and write a few sentences into the appropriate square. Easy peasey.

Cropping your art

Posted: April 24, 2012 in photography
Tags: found images, graffiti, journaling, mixed media, painted canvas

Close cropping is nothing new to photographers but I think as artists we sometimes forget that in every composition it is possible to find small, interesting bits that can stand on their own. Particularly when it comes to what the human mind finds intriguing, such as faces of humans and animals, body parts of same, etc. Also in our images it is possible to find small arrangements of odd numbered items or marks that make a substantial impact on their own if cropped. I find that cropping “busy” subjects, such as the graffiti I’ve featured on this blog frequently, lets the mind appreciate what is there in smaller mind-sized “bites”. While a wide angle shot (or full shot) documents a piece, a close crop provides more of a study.

Art journal page, Easter

Posted: April 19, 2012 in art journal
Tags: art journaling, journaling, mixed media, new art work

One page journal entry for a belated Easter, using as a focal point the beautiful card my Mom sent us. I love daffodils and we don’t have them down here in Florida. The background is an old car repair receipt from 1940, with Claudine’s Studio Paints over top and a semi-circle of Japanese print paper. I thought the printed paper referred to both a painted Easter egg and stained glass window. It was meant to be egg-ish and shrine-ish all at the same time. Asking it to work overtime. I did a little doodling with curvy lines in the same Sharpie I journaled on the page with.