Archive for the ‘paper weaving’ Category

bound by stars

This Daily Art practice took the full hour to make. I barely had time to frame it out and add the acrylic dots and stamp the text.

Most of the time was spent weaving the paper strips. It takes awhile to get them situated and then affixed with matte medium, then dried enough to continue. I bought matte medium today because I ran out of it…I tried to get along with just Mod Podge but some applications don’t work with it. If I don’t want the hard resistant coating on the surface (like here to glaze it with acrylic) I prefer matte medium. If you aren’t aware, matte medium is a glazing medium, sealer and adhesive (lightweight). Mod Podge is a sealer and adhesive (heavyweight). If you want stuff impenetrable and permanent and affixed until the Four Horsemen ride through, Mod Podge is your huckleberry. Anything else use matte medium.

My plan with the piece was to mask the weaving in a shape of some sort.  A mask is a reverse of a stencil; in fact, a mask is the piece you get when you cut a stencil. Not all stencils create great masks, because if the stencil is very detailed you can’t keep all the bitty pieces to use as a mask. A stencil prints over where it is put and a mask prints around the space it is put. Obviously you don’t have to create a mask to do a mask technique…you can freehand letter or draw, around what you want to keep and cover what you don’t want with color.  In this way you can make an expressive drawing with shapes, letters and focal images in a composition. It is a fun way to do stuff, sort of in reverse.

I’ve seen artists put layers of material on a substrate only to cover up most of it with black paint. Seems like a bunch of work gone to waste to me, but the results are spectacular. Also, if you scan the piece before covering it, you can use the work over and over by printing it, thereby making use of the time it took to make it.

Keep in mind that you can use any color as your outline/fill, not just black. Also, depending on what you are outlining, you could use white or a pale color. That could be cool. I haven’t done that yet.

I was going to cut a stencil for this basic figure with the antlers. I would use it and it seemed worth the time to do it; I’d have both a mask and a stencil to use. However, the stencil board I have was under a bunch of heavy paper and I couldn’t get a sheet out. I looked around and saw a greeting card kraft bag (you know, the slender kind) so I cut the figure out with scissors. This was the easiest, fastest way to get the job done. Then, I laid the mask over the weaving and outlined with my favorite Wolff’s Carbon drawing pencil. I selected grey as a background cover because I like grey, but had I not been so hasty, I might have selected navy. It would have been richer with the orange and since I texted “bound by stars” navy would have made sense. Ahhh, another day.

If you are in a hurry or have hand problems or patience problems or are afraid/unable to use an exacto knife, a pre-cut stencil is an inexpensive long-lasting tool (although they are quite pricey for what they are, I mean cheap plastic). Since stencils have become so popular, they are now very detailed laser cut available in diverse design styles. I have stencils that I would not in a million years consider cutting out myself. But, you can make a perfectly wonderful unique stencil yourself in less than an hour. You can use your own drawings, clip art, images from photos, etc. You can scan a photo into a basic photo altering program, many of which feature a “stencil” filter. Print the altered photo and  create a stencil. If your program doesn’t have a “stencil” feature, up the contrast and voila, a usable image. Build a library of favorite symbols, animals, etc. You get the point. Anything that gets more of your own hand into a piece makes it more satisfactory and interesting, IMHO.

Don’t forget to keep the cut out parts of your stencils and put them in a separate envy called “masks”, or file them with the stencil.  Once you start to mask, you will be glad to have them.

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lifeisatapestry

Well, guess what? The studio is tossed again.

Last week I put my big folding table into the middle of the living room and brought out the various and sundry boxes and bins of paper and images and sorted it into cool boxes I got at the Dollar Tree. The boxes are letter-sized and have a self-lid and hold a goodly amount of of paper. I was soon overwhelmed with the sorting but I did get through the bins It is so much easier now to keep it neat and find images by subject matter which is important to me. I wanted to do a page with an owl last week. I have 284 pictures of owls around here and couldn’t fine one. One. That’s what started this ball rolling.

I got overwhelmed, particularly with laser copies (lots of black and white) of my own photographs. In the good old days I had a color laser printer and I routinely printed contact sheets and reproduced my photos. Lots and lots of mannequin photos because I used them frequently in my work. I knew there were too many to go into the nifty boxes without there being 30 boxes of mannequin photos. So I started shoveling them into a separate pile. Before I knew it, that pile was teetering on the edge of calamity just like my sanity.

I had to put the big table away, and the stack took up home on the dining table. I filed the neat boxes away in the studio and that was a wonderful feeling. But then I’d walk through the center of the house and the stack that didn’t get filed away, mostly my OWN art, was taunting me. Plus, the dining room is smack in the middle of my feng shui Wealth area and that is not good. How many mannequin photos can your Wealth area overlook? If I know my Wealth area, and I do after many hours of studying it and moaning over it, there were about 6000 more mannequin faces than it could manage. My Wealth area couldn’t even with it and neither could I.

There were stacks of paper. Strangely, I’ve been obsessed with stacks for awhile. It started with caryatids about 18 months ago. They were fascinating to me. Then I saw pictures of cairns that my husband took in the Smokey Mountains last spring. There is an artist that works in several rivers up there making cairns (he’s around on the internet, Google him if you want to see his work. He is really good, a true Rock Whisperer). Then I ran into this cool Edward Gorey’ish fabric during Halloween that was so exciting to me. About that time the Alice in Wonderland stencils showed up at Dollar Tree. One day I couldn’t take it anymore and cut out a caryatid, the gothic fabric and created an Alice stack using illustrations and stencils. A reprieve but I returned to stacks again.

Stacks of paper. Obsession with stacks. What are stacks? They are layers on top of layers. Image on top of image. Strips on strips.

I couldn’t use all those faces, but I could use strips of paper. I could weave them, layer them, draw on them, use them as backgrounds, etc. I could make strips out of all that stuff, throw them into a box and haul a handful out and use them however I want to in the moment. If I found I didn’t like the process, or wasn’t using the strips, I could toss it all into the recycle bin with no guilt.

So yesterday I spent a few happy hours layering paper and cutting it with my paper cutter. All different widths. I find cutting or tearing paper stress relieving. I can honestly say I enjoyed it, and I thought about the strips most of last evening. I had the urge to get up and bring some in to draw on but I didn’t because we were relaxing watching Dexter. It’s one of the few programs I enjoy watching, but I was tempted and that is a good sign. I’m onto something.

So, my Daily Art practice rolled around and the first thing I did was grab a bunch of strips. I wanted to start by paper weaving. I took two wide strips, cut them into random pieces. One was a black and white photo of mine, the other text from a book. I glued those pieces randomly to a paper foundation. Then I selected several strips and cut them down to smaller widths. Surprisingly, all the strips I used are my own work. I did simple over/under weaving over top of the other images, shifting the colored strips to where I wanted them. I glued the ends down to make it permanent.

The process created leftovers and I tossed those strips back in the box to be used for another project. I decided to journal, and stamped out “life is a tapestry.” Then I wrote “weave it” in black pen randomly, and did some circles on the strip with the wording, to make it stand out more. This project was finished in an hour and I very much enjoyed it. I plan to do many of my Daily Practice pieces with these strips this month. Perhaps it will inspire you to try it.

I will soon post an update on my Mythos blog about how my 2016 Initiatives are going so far. If you have an interest check it out over the next few days. I will say here that I missed only 1 day in January. The day I missed I simply did not want to be in the studio. I was tired and not feeling particularly well. To go in would have defeated the purpose of the Initiative, which is to give myself time to do what I love. It’s not an obligation, it is a privilege.

I would urge you to get into your studio every day, even if just to paint a background or stamp a word on paper, or whatever you enjoy doing. Just for the fun of it.