I got froggy yesterday and made several printing plates from recycled styrofoam. It is one of my favorite ways to make an image, especially if you want a folk art look. I happen to be reading the new release from Clarissa Pinkola Estés, PhD, “Untie the Strong Woman”, which is about the sacred mother archetype. It’s a fabulous book! It inspired me to draw this Our Lady Guadalupe with a pen onto the styrofoam. I then “inked” the plate by smoothing gesso across it with a credit card, leaving a thin layer. I had already prepped a found plaque with white gesso and simply pressed the plate on top with medium pressure. Voila! I discovered as I was adding some pencil details that I could scratch through the white gesso down to the original photo on the plaque, thus creating a sgraffito look that I think enhances the folk art quality. The last step was a thin layer of beeswax to protect and deepen the layers. Save that styrofoam from the market!

Even in the 70’s the fountain pen was becoming old-fashioned and nearly obsolete, what with the recent release of Flair™ felt-tipped pens and the ubiquitous see-through hard plastic barreled Bics™ that were coming into vogue and would dominate the world market (and land fills) for decades to come. Yes, believe it or not, young whippersnappers, there was a time before felt-tipped pens in my living memory. A time when the major means of communication in a schoolroom was squeaky chalk on a dusty blackboard, and homework was done with a chunk of wood and lead (known in The Day as pencils). I am That Old.

Humankind has witnessed an unrelenting parade of writing implements, from dip quills to fountain pens, to pencils to ballpoint pens to felt-tipped pens to gel pens. Each improvement makes previous “models” rare, collectible antiques or curiosities to gawk over. Pencils have gone the way of the dinosaurs. This constant waxing and waning of writing products keeps us on edge. We don’t want to miss the release of the “next” Sharpie Retractable™ or gel color. Our writing tool hunger knows no bounds. The culture of writing implements is an arena where eager eagle-eyed office supply junkies roam the store aisles muttering “pens” under their breath like stiff-armed zombies in video games mutter “brains” under theirs.

It boils down to this – a pen is an ink delivery system. That’s all they do. Don’t we feel silly now? The problem is that some do it better than others, some don’t do it at all and some do it sporadically. Some cover nicely and some don’t. So it is not that we need so much ink delivered, it’s that we need it delivered the WAY WE WANT IT. We are an independent folk.  That is the basis for humanity’s love of the pen.  For instance, I won’t put up with a scratchy fountain pen to write with, but I will draw with it. But I won’t put up with a scratchy ballpoint pen at all. Life’s too short to mess with a scratchy ball point pen, but I know there are people out there that WILL tolerate it. I can’t conceive of WHY, but they WILL. Because I’ve been on the business end of too many scratchy ballpoint pens in too many places, like signing the check at a restaurant or borrowing a pen at the pharmacy check out. Oh yes, you feel my pain. The dang thing worked for the guy ahead of you but can you chicken scratch out your John Hancock here to save your life? You cannot. And because we are a thrifty folk, that pen will be there the NEXT time you come back to that restaurant, because there is a piece of ratty-assed paper at the register that they keep resuscitating that pen with. They Code Blue and IV Stat and press and squiggle and that bastard writes for them and then they hand it to you and it’s dead as a fence post and makes a deep furrow on your paper where your signature should be.

We didn’t know how good we had it with ballpoints until gel ink came along, reanimating the search for the Holy Grail of pens. Which gel is better? It’s a hard question to answer in the 90’s forward because although they were new, they pretty much sucked out loud. Talk about unpredictable. I had a boss that bought them by the dozens and laid them out on his desk, not just because he was obsessed but because they gave up the ghost so fast that he had to select another, and another, to finish signing his name. Who hasn’t been entranced by the fifty pen set at Sam’s Club and finally seduced to part with their $20 only to get home and find that out of fifty pens, eight of them write smoothly, twelve write sporadically and a full thirty need cold fusion to blast that gorgeous ink out of them, which you can SEE but not ACCESS. And here’s the other thing about gel pens—white ones. Whoever manufactured the first white ink pen should be tarred and feathered although they would probably enjoy it. They have wreaked upon humanity the final blow, the completely unattainable search for perfection. That would be a white pen that writes. Not only that, it must write for a while, and if you inspect the average white pen that MIGHT be the answer to all our misery, you will find that white pen has only been given, in the factory, HALF of it’s life potential. The barrel is only half-full, and I say this not in the optimist/pessimist, “The glass is half-empty” kind of way but in the way of, the barrel is only half-damn-full of white ink.  Immediately, your bliss in finding a white pen that delivers a line of opaque white ink, that is not the size of a railroad tie nor quanta, that covers black paper or paint and does it consistently and with a good attitude is going to have a life shorter than the chick in Love Story. Every time you use it you are contributing to it’s encroaching demise and this you cannot ignore. It taunts you. You have the perfect pen that you cannot use because using it will use it up and even though you BOUGHT it to use, it’s too good to waste on the likes of you. You pen snob you.

My husband is a pen snob. He is not a snob in any area except pens, and he doesn’t own any good ones except ones I’ve bought for him. Because he’s too cheap to buy good pens, but not too proud to use ones given him, like Amish people who don’t believe in electricity but will sit all night in your living room watching your TV. And when I say he is a pen snob believe me, because he turned his nose up at the Sharpie Retractable™ in microscopic fine point and that pen is as close to heaven as any of us will ever get on earth. He said, and I quote, “It isn’t all that, Terry.” This puts a perspective on the last eighteen years of my life. Because if you don’t like the Sharpie Retractable™, and you are alive, there is something quite wrong with you; something so hideously, insidiously evil that H.P. Lovecraft is looking frightened.  H.P. wrote with a fountain pen and would have given his left nard for a Sharpie Retractable™–at least the OPTION of it. But no, my husband prefers his G2™.

We live in troubling times, my friends. We live in a world that wants a dried up Bic™ to be immortal, a white pen barrel to be full of ink, the Sharpie Retractable™ to be universally loved (so that it will be around forever), and the fountain pen, with ink cartridges, readily available. Doesn’t seem like much to ask, does it?

I hope everyone has enjoyed the season so far. The solstice here (Florida coast) was hot and humid but with a nice breeze and blue skies. This image is a solstice card I did for 2006, it is completely digital and the original photos were taken of an old church in rural Virginia. My husband Bob took the photo of the moon. The words “Is your life a channel of blessing?” were from an old hymnal. May 2012 be a year of blessings for you, yours and all of us.

Peace,

Terry Lee

This small glass topped box is hard to see in it’s entirety in a blog format. The picture is a found photograph someone took of a bunny at a drainage ditch. The bunny is tiny compared to the enormity of the area it was in and the rest of the picture so I took a good bit off one side of the photo. Then to bring the attention more to the bunny goodness I smeared some white gesso (it looks blue IRL too) around the edge and made a little bunnyhead drawing on the lower left side. On the bottom of the box I wrote Funny Bunny over and over again in pencil. There is some journaling about the photo and what appealed to me about it along the front edges of the box and the sides. I found an old fashioned looking bunny illustration in an old Compton’s Encyclopedia that I cut out and glued to the outside bottom of the box, completing it. These pieces are actually little thought experiments for me. Why did somebunny take this bunny picture? Why did they keep it? Is it their bunny or a wild bunny? Why were they at a drainage ditch? Pick a thought and build a box around it, that’s my story and I’m sticking with it.

The second canvas I’ve blogged in the series of obsessive love and compulsive thinking. This is Persephone with her six pomegranate seeds that were eaten in the underworld and brought six months of winter to the above world. The title of this piece is The Specific Gravity of His Sigh. The base is gesso, paper napkins, paint, the original photo, handmade paper and the top layer of embellishment is pencil, gel stick and the (by now) infamous on this blog Sharpie Poster Paint™ marker in white.

I added the second picture so that you could see the obsessive pencil writing in her hair and on her face. The writing just repeats the title of the piece over and over. She’s really worried about that sigh…haven’t we all?

This box was started about an hour ago. My motivation? Use up about 600 sq ft of collected seashells (I live in Florida) and combine them with something ELSE that’s taking up room, which is about two dozen of these glass topped wood boxes that have been MOCKING ME for several years now. Their mocking tone still haunts me in my most private moments…but I digress.

Really, this shell started it all. It has the most gorgeous naturally made writing on it, so much so that it made me think of a long lost unforgiven song. Another storage box yielded the broken religious necklace in blue, and I happened to have a shoebox full of drilled glass jewels so I selected one. I applied mortar to the bottom of this box which should work, if I used enough. Which I’m beginning to doubt. Then I drew symbols and textured the mortar itself to echo the marks on the shell.

One would think the next step is to wait for it to dry and see if it all falls apart. If it does I will probably lather, rinse and repeat. If it doesn’t, the fun begins. Will the mortar dissolve if I try to antique the background? Will that stress pop off the inclusions? It also needs writing, so I’ll be thinking about what to write on the top of the box and around the edges. Right now the box is raw wood. Paint, stain, crackle?? White wash? The uncertainty of it all. Oh. the. uncertainty.

What do YOU think about it?

One day I painted some muslin with Micaceous Iron Oxide by Golden and gathered a print and some other handpainted cloth and began to sew the pieces together randomly by machine. I simply went where the machine needle was pointing and sewed for about 20-30 minutes, I would say. Then I took scissors and began to (again) randomly cut away at the layers of fabric I had sewn together. What began to emerge was one pretty obvious funky bird, and a few others if you are able to rotate the circle around and stare for a minute or so. After the first cutting session, I added more machine sewing and cut again. Ultimately, I sewed whatever needed it and then appliqued the silver cut circle to the top of the piece and called it finished. I could also title this Bird Mandala.

This is a 12×12 journal canvas that is one of five in a theme of obsessive love and compulsive thoughts. The title is “Off the Rack” and is composed from two original photographs, a background of tissue paper, heavy stenciling, working back in with acrylics and brush and then journaling on her face with pencil and on the canvas with white Sharpie™ poster paint marker. When these pieces appeared in a show, I was surprised that men were as interested in them as women.

This mixed media painting was completed a couple years ago and I would consider it a self portrait. Tissue and handmade papers were used, as well as a book with Asian calligraphy that became the tree trunks. The striated nature of the composition was intentional. The hair is seashell. I’ve been asked many times why the figure has one eye closed and one eye wide open. I have no answer for that, except an affinity for owls and perhaps the idea that our vision is really incomplete, as if seeing with one eye only.

In my art journaling workshop for seniors we make a map, and often choose to map our own hands. I made this map several weeks ago on white 12×12 scrapbook paper and included junk mail cut outs, drawing, watercolors and random journaling for that day. The frame around the earth image was rubbed with crayon. I find maps relaxing and fun to do and try to map something several times a month. Personal Geographies, the new mixed media book by Jill K. Berry is quite an inspiration to those who love maps or want to experience making their own. Check it out!