Archive for the ‘New Mixed Media art’ Category

A 12″ square deep gallery wrapped canvas with mixed media consisting of painting and collage, with a tad of journaling. There is to be a solo show in September after all plans were finalized in the last couple of days. The wall space is large and there is a table also for smaller works. I will be working throughout the summer, thankfully indoors, completing works for Trashion Fashion photo shoot in late june and the event July 21, and then for the show in september. Lots to do, just getting my feet wet today and back into mixed media from the accessory frenzy in May.

Another of my styrofoam plate prints, this time printed and over painted onto canvas board. The image is all on one plate and printed in black. I love how the styrofoam prints end up looking like graffiti, and to that end I thought I’d spiff some of them up with color. The wonder of these prints is that you never know how they will turn out. A face can have many expressions depending on where the paint settles into the crevices of the plate. One thing about painting the image is you can define areas and change the print a bit. This is a face with a tic tac toe body; grids are fun to carve and usually look cool printed.

I picked up about half a dozen black edged canvas totes at a thrift store a while back and decided to alter them with photography and mixed media. The mannaquin photo is an original, altered a bit in Elements. That is a flattened drink umbrella in the upper right corner and a sassy crow image from Kerry Carbary in the upper left. The rest is tissue paper, asian newspaper, stenciling and rub-0n letters. The other side is collaged in a similar manner. This bag is about 4 years old but I notice my style hasn’t changed all that much. These materials remain favorites, as does my love of mannaquins as photo fodder. This tote and several other altered purses will be featured in the Trashion Fashion show at ARTpool Gallery in July. The first time any of my wearables have been in a show. Yippee!

It’s a bit hard to tell in this photo what we’re looking at. The foundation is a piece of scrapbook paper designed by Tim Holtz. On top of that is a quilted collage that is stitched together, made entirely of paper items, which in turn has been stitched down to the foundation. The top layer is one of my stitched collages made from both fabric and paper that did not suit me after it was done, so I cut it up into heart shapes to use on future stitched collages. The “waste” as it might be called, was then stitched overtop the two previous pieces. This is one of those items that loses a little in photographic translation…it is easier to see what you are looking at IRL and to discern what it is.

Another crop of the magnificent graffiti wall shown earlier in the week. This crop follows the rule of thirds, with the lightest toned part of the image (mountain) on a third. We have an off centered crop and the repetition of the shape of triangles three times in the focal points. When selecting elements to crop, a good rule of thumb is to use an odd numbered amount of focals. We have lost and found. Keep in mind that the eye goes to the lightest color first when viewing an image, so the lightest should be well placed. There is a hierarchy of what the mind wants to see and how it orders it. Light color, face parts (human) face parts (animal) face parts (babies). Of the facial expressions, eyes then mouth. Hands and feet are important. Light colors moving to dark, other body parts. So if you want to crop a face, always try for the eyes first placed on a third, using the mouth on a third or eliminating the mouth for a stronger crop. That way the mind doesn’t have to play the choice game of what to look at. As I view this crop I notice a lack of emotional response. I was more interested in yesterday’s reptile tail. I believe that is because of the curvilinear look of the tail as opposed to the very linear shapes of these buildings. Also, these buildings are man made, the tail is natural and belonging, we assume, to something live even tho we couldn’t see the entire animal. We can appreciate the skill needed to create these buildings ON a building, the texture mixes, the shading for the windows and door, etc. But the image does not stir me like yesterday’s crop. Perhaps it is my skill in cropping, perhaps this crop is not as good as yesterday’s. But if it wasn’t for the mountain (nature) in the background, if that had been another man made building and not a mountain, you probably wouldn’t be looking at this image today. The mountain saves this crop from being a study in architecture.

A stitched paper and fabric collage using a botanical print and drawings on paper with lace, a handmade heart, map and chintz fabric. The drawings are of Napoleon’s entourage, by an unknown artist whose work I picked up at an estate sale. My sewing skills are improving as I make these simple collages almost every day. I enjoy occasionally putting a lot into a collage and then being dissatisfied with it enough to deconstruct it and cut it up into as many heart shapes as I can get out of the project. The hearts are usually way more interesting than the original project. Don’t forget your “failures” can turn into great opportunities if you refuse to let things get precious and are willing to either take them apart or really alter them significantly.

A printed napkin is the foundation for this stitched collage featuring a vintage postcard image, lace, handmade stitched heart and vintage handwriting on old lined paper. There is some eyelet edging and tulle thrown in for good measure. The cat is wearing eyeglasses which cracks me up because my cat is cross eyed and needs them. She could also use that good looking hat and not the junk mail paper hat that Bob insists she wear each day when she helps him sort the mail. Perhaps this verges on “too much information”.

A print of my original portrait of a model named Jennifer at one of ARTpool Gallery’s soirees is featured in this stitched collage. Vintage linen, pom pom fringe, lace and a handmade heart stitched to a linen background. The print was toned with pink watercolor crayon. I’ve been doing a lot of stitched pieces lately and four of them are hanging in the gallery for $45 now. P.S. There are new photo galleries at pisces-rising.com!

To me, styrofoam plate prints look similar to graffiti when printed in black. So I decided to paint some of the prints today from new plates I carved recently. I used mostly purple, yellow, gold and fushia for this series of work. I like to restrict my color palatte on small pieces and block in the colors. These are done on 5×7 sized canvas boards. The spontaneity of printing plates inspires me to be more accepting of what happens; I sure can’t control what a plate prints like. Most of all, it’s a fun process.

The second piece in the series of stitched mixed media textiles. This one uses a scrapbook paper altered with spray ink and a gold seal with a birdcage stamped on it. Embellishments include an old handwritten sermon fragment, wedding dress applique, lace panel and linen, the foundation being a plaid napkin. The series of four are now hanging at the fabulous ARTpool Gallery in St. Pete, on repurposed wooden hangers.