Two scribble drawings with Sharpie markers on 4×12″ canvases. I began scribble drawing as a release from the pressure and grief of the home invasion a couple months ago. I decided to paint these two drawings and they took on a slightly different character than the scribbles. The energy of these pieces to me feels very outsider art-ish.

To me, styrofoam plate prints look similar to graffiti when printed in black. So I decided to paint some of the prints today from new plates I carved recently. I used mostly purple, yellow, gold and fushia for this series of work. I like to restrict my color palatte on small pieces and block in the colors. These are done on 5×7 sized canvas boards. The spontaneity of printing plates inspires me to be more accepting of what happens; I sure can’t control what a plate prints like. Most of all, it’s a fun process.

Same mannaquin from yesterdays collage piece, only this time Marina Williams of  ARTpool Gallery gave her oversized heart shaped glasses and a polka dot hoodie to wear. I gave her some “simplification” and “solarization” filters in Elements and Topaz and her persona is a tad stronger, as is the visual. “Solarization” is not by any means one of my favorite filters but in this case it highlighted her eyes which are very pretty for a mannaquin.

Mixed media stitched collage featuring an original photograph, vintage dish towel, handmade collage stitched heart, embroidered fabric and some kind of weird vintage trim that is pleated vinyl. Along the left side is some commercial fabric and wool embroidery yarn. AFter stitching the whole thing was dunked into leftover morning coffee. I call this mannaquin “little girl lost” because that is what I always think when I see her and I’ve used her several times already in various pieces. I found her at the fabulous ARTpool Gallery, where Moi is having a show in September 2012 as the featured artist. Just found out that news on Friday.

Pastels

Posted: April 3, 2012 in photography
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A digitally altered photograph of my set of pastels. I used a few Elements settings and then put it into the Topaz filter program and chose Lomo II. I love to shoot tools and materials when they are out on the worktable for use later in playing around with digital filters and techniques. It is also fun to alter a picture way beyond being a recognizable object. If you have some of these cool digital programs, why not set up some tools, materials and found object still life arrangements and instead of just using the program to change resolution, have a play day and learn the features. Could come in very handy to know a particular filter one day when you want a special  effect.

I sat down with a bunch of altered paper pieces and made this stylized scarab one afternoon. After the glue was dry I brushed lightly with Lumiere paints and painted on the legs, which I believe he must be missing a pair but maybe not. Paper mosaic is a technique I return to again and again when I am in the mood to do something that can be “fiddly”…patience is definitely a requirement and I do not always have it. There isn’t any journaling on it yet but probably will be one day. This, as most all my a j pieces, is worked in my big altered mapbook.

The second piece in the series of stitched mixed media textiles. This one uses a scrapbook paper altered with spray ink and a gold seal with a birdcage stamped on it. Embellishments include an old handwritten sermon fragment, wedding dress applique, lace panel and linen, the foundation being a plaid napkin. The series of four are now hanging at the fabulous ARTpool Gallery in St. Pete, on repurposed wooden hangers.

Stitched mixed media

Posted: March 30, 2012 in New Mixed Media art

It’s been a long time since I posted anything stitched and the reverse applique I did post several months ago was not new work. This mixed media piece is brand new, sewn yesterday. The illustration is from an old children’s book on butterflies and moths and the process they go through in all the stages of their lives. It also had a handy list of what each caterpillar eats. This illustration happens to be of a Gulf Frittilary and it’s food, the passion flower. It was inspired by the view from my sewing machine of dozens of Gulf Frittilaries flying around my birdbath and the passion flower they lay their eggs on. One of the most prolific of our butterfly population, with yellow sulphurs, monarchs and black swallowtails as the summer progresses. The piece’s foundation is a vintage linen napkin and other materials are lace, an oil stick rubbing of a leaf, wool yarn and an old sermon with beautiful handwriting. Fun to make just using up whatever is in arm’s reach.

Graffiti, St. Pete

Posted: March 29, 2012 in graffiti
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Another portion of a graffiti wall, unfortunately no longer visible, in downtown St. Pete a year or so ago. I was lucky to run across two graff artists in process on a smaller wall that day who answered some questions I had and were pretty inspirational. The wall this piece is from contained images by most likely half a dozen artists in a montage; it was stunning. I think this hand is gorgeous and love the stenciling and starburst of color in  red.

I have an ornamental bird cage that catches the light once a day if the sun is strong enough and on this day I couldn’t resist shooting it. I like the way it came out, with a little distortion and the fine brass bars highlighted. The heavy lines are also the cage, circumference support and the door frame, a little off kilter. If you’ve followed the blog for any length of time you know no ray of sunshine or object around the house is safe from shadowlet production and my attention. If you have a camera this puts it to fun use.